How do Tibetans Buddhists innovate while staying connected with tradition? In the Tibetan language, biographies are referred to as liberation tales. In this course, students explore the life experiences of Tibetan Buddhists striving for a variety of forms of liberation, from samsara as well as from social marginalization and political oppression. Students disassemble stereotypes about Tibet by exploring fundamental aspects of its distinct Buddhist tradition. They analyze the stories of figures as diverse as an eighth-century demon-tamer and his enlightened female partner, a contemporary artist exploring questions of identity, a Buddhist yogi seeking to move beyond the confines of the self, and a debut novelist reflecting on writing as a form of agency. Students apply their knowledge to interpret representations of Tibet in sources ranging from early texts on the nature of reality to an Instagram takeover by contemporary Tibetan female poets. In the process, they generate tools for interpreting the host of representations they encounter in their daily lives.

This course will examine how the three genres of Zen Buddhism, the tea ceremony/tea culture, and poetry, have been presented over time as not only compatible, but as representative expressions of each other. We will consider the contemporaneous cultural, historical, and political factors that contributed to the formation of this discourse. We will also hold up to critical scrutiny the very concept of "genre" in pre-modern East Asia, as well as the distinction between "Zen Buddhism" and what may be termed "Zen culture." We will also investigate in depth how modern commentators such as Okakura Tenshin, Suzuki Daisetsu, and Hisamatsu Shin'ichi's dialogue with the West and Western models informed the now ingrained idea that the tea ceremony represents an artistic, aesthetic, and spiritual nexus of the other two genres, and indeed of East Asian Culture as a whole.

Overview of the traditional Hindu narratives found in the Vedic, epic, and puranic literature. We will also examine Hindu myth in their many regional literary and artistic forms, and how these narratives influence culture, philosophy, literature, and folklore.

An investigation of modern psychological theories and their relevance to ancient Greek and Roman myths. All readings in English.

Will examine the role of the visual, material, literary, and performance arts in the construction of religious knowledge in the religious traditions of India. The primary focus will be the historical development of the arts and aesthetic styles in Hinduism, Buddhism, Islam, Jainism, Sikhism, and Christianity in South Asia.

Critical, thematic exegesis of indigenous African and Christian contributions to African American religions. Analyzes role of religion in resisting oppression and racial injustice.

An examination of Jesus as an historical figure shaped in the various images of the cultures depicting him. The class will analyze Jesus as the subject of recent scholarly debates as well as his portrayals in 20th century art, film, and literature.

Ever wonder why you believe what you believe? Ever been puzzled as to why other people believe such outrageous things? Spirituality, Psychology, and Mind (SPM) investigates the nature of beliefs and practices from a multidisciplinary perspective. We will explore different ways of studying and understanding religious beliefs and spirituality through psychological, sociological, biological, philosophical, and humanist lenses. This course aims to build connections between different ways of knowing to foster critical thinking and perspective-taking. SPM will not try to prove or disprove any religious, spiritual, agnostic, or atheist claims. But instead, it will use psychological theory and scientific research to examine how we come to believe what we do. The focus will be on scientific approaches to religion's psychological nature and function concerning health, psychopathology, and coping mechanisms.

This course is a study of popular culture and religion in African-American and Latin@ communities, with a focus on the place of rap music in the cultural identity of these traditions. The class will begin with a study of some major themes in cultural studies concerning identity, class, race, and gender in addition to a study of the role of religion in Black and Latin@ communities. We will consider the approaches and self-understandings of identity and culture in rap music with special attention to the voices of protest, resistance, and spirituality among rap artists.

This course provides an overview of Islamic intellectual history from the origins of Islam to the present day. The course is divided into three units: 1) Classical Islam and religious sciences; 2) Classical Islamic thought more broadly; 3) Modern Islamic thought. Students will be introduced to Islamic scriptures as well as original writings in translation by preeminent figures of the Islamic tradition and will learn how Muslim thinkers engaged issues concerning scriptural authority, theology, mysticism, human happiness and flourishing, politics, colonialism and gender. The course approaches these writings with particular attention to analysis of the concepts central to Islamic thought and their interconnections, and to the forms of expression through which these concepts are presented to envisioned audiences. Throughout the course, emphasis will be placed on the implications of the ideas we study for values pertaining to justice, social hierarchy and inequality, freedom and domination. Ideas regarding the nature of human existence and its place within the universe always have relation to social life and order. Examining this relation in Islamic thought will involve probing our own notions on these matters and their implications in our own social life.